Understanding medicines management is central to the nursing role. As a nurse, you will need to make informed decisions about medicine use and optimisation, tailored to each patient. This book equips you with the theoretical and practical foundation to do just that. It covers all key components of medicines management, using a scenario-based approach to illustrate how each topic relates to your practice. Key features * Fully mapped to the NMC standards of proficiency for registered nurses (2018) * Scenarios and activities help you to translate the theory into nursing practice * Acts as a stepping stone to support your readiness to undertake a prescribing qualification upon registration

Before we recorded Infernal Love, I didn t know if I was coming or going. I developed quite a healthy drug habit and was drinking a bottle of Absolut vodka every day. I thought that if I gave up drinking, I d spend the next two weeks lying in bed and feeling sick. I decided to keep going and see if inspiration would hit - Andy Cairns, Therapy? So Much For The 30 Year Plan is the first ever book to detail the life of Therapy?, one of rock s boldest and most idiosyncratic acts. Written with the full co-operation of the band s current members frontman Andy Cairns, bassist Michael McKeegan, and drummer Neil Cooper this official biography explores the dizzying highs and crushing lows they have experienced while navigating a three-decade-long career. Featuring extensive interviews with the band and key figures from throughout their career, So Much For The 30 Year Plan offers insights into the band s origins in Northern Ireland during the Troubles, the backlash they received from the underground scene after signing to a major label, the birth of their million-selling 1994 album Troublegum, the full story behind their split with founding member Fyfe Ewing, and much more. Published to coincide with the band s 30th anniversary tour, this is essential reading for all Therapy? fans and for anyone with an interest in the alternative music of the era.

Simone Young leads the Bayerisches Staatsorchester in this production of Pfitzner's opera, directed for the stage by Christian Stuckl. Performers include Christopher Ventris, Peter Rose, Michael Volle and Falk Struckmann.

The phenomenal success of Tolkien and JK Rowling have restored magical folk to the adult world. The reader will discover that Hobbits hail from Tolkien's aunt's manor farm Bag-End and Harry Potter's Master Dobbs is part of ancient folklore. Fairies are often nothing like the ones conjured up by writers and Hollywood. Some are worse than soccer hooligans. They are irascible, blood-sucking, bed-hopping. A tidal-wave of new fairy sightings has been uncovered by the digitisation of British and Irish local newspapers and other local ephemera, and by the Fairy Census conducted by the authors.

Tony Judt decided to write Postwar in 1989, the year the collapse of the Soviet Union provided European history with a rare example of a clearly-signposted 'end of an era'. It's scarcely surprising, then, that the great virtue of Judt's book is the clarity and the breadth of its account of postwar Europe. His book coalesces around one central theme: the idea that the whole of the history of this period can be explained as an unravelling of the consequences of World War II. A bold claim, but Judt's exceptional ability to create strong, well-structured, inclusive arguments allows him to pull it off convincingly. Judt's work is also a fine example of creative thinking, in that he excels in connecting things together in new and interesting ways. This virtue extends from his unusual ability to combine the best elements of the Anglo-American and the French historiographical traditions - the latter informing his strong interest in the importance of cultural history - to his unwillingness to allow himself to be constrained by historical category and ultimately to his linguistic abilities. Postwar is, above all, a triumph of integration, something that is only made possible by its author's flair for creating strong, persuasive arguments.

Keith Thomas's classic study of all forms of popular belief has been influential for so long now that it is difficult to remember how revolutionary it seemed when it first appeared. By publishing Religion and the Decline of Magic, Thomas became the first serious scholar to attempt to synthesize the full range of popular thought about the occult and the supernatural, studying its influence across Europe over several centuries. At root, his book can be seen as a superb exercise in problem-solving: one that actually established "magic" as a historical problem worthy of investigation. Thomas asked productive questions, not least challenging the prevailing assumption that folk belief was unworthy of serious scholarly attention, and his work usefully reframed the existing debate in much broader terms, allowing for more extensive exploration of correlations, not only between different sorts of popular belief, but also between popular belief and state religion. It was this that allowed Thomas to reach his famous conclusion that the advent of Protestantism - which drove out much of the "superstition" that characterised the Catholicism of the period - created a vacuum filled by other forms of belief; for example, Catholic priests had once blessed their crops, but Protestants refused to do so. That left farmers looking for other ways of ensuring a good harvest. It was this, Thomas argues, that explains the survival of what we now think of as "magic" at a time such beliefs might have been expected to decline - at least until science arose to offer alternative paradigms.

Keith Thomas's classic study of all forms of popular belief has been influential for so long now that it is difficult to remember how revolutionary it seemed when it first appeared.

By publishing Religion and the Decline of Magic, Thomas became the first serious scholar to attempt to synthesize the full range of popular thought about the occult and the supernatural, studying its influence across Europe over several centuries. At root, his book can be seen as a superb exercise in problem-solving: one that actually established "magic" as a historical problem worthy of investigation. Thomas asked productive questions, not least challenging the prevailing assumption that folk belief was unworthy of serious scholarly attention, and his work usefully reframed the existing debate in much broader terms, allowing for more extensive exploration of correlations, not only between different sorts of popular belief, but also between popular belief and state religion. It was this that allowed Thomas to reach his famous conclusion that the advent of Protestantism – which drove out much of the "superstition" that characterised the Catholicism of the period – created a vacuum filled by other forms of belief; for example, Catholic priests had once blessed their crops, but Protestants refused to do so. That left farmers looking for other ways of ensuring a good harvest. It was this, Thomas argues, that explains the survival of what we now think of as "magic" at a time such beliefs might have been expected to decline – at least until science arose to offer alternative paradigms.

Comprising three parts, this book is a companion volume to The Boggart: Folklore, History, Place-Names and Dialect. Part one, 'Boggart Ephemera', is a selection of about 40,000 words of nineteenth-century boggart writing (particularly material that is difficult to find in libraries). Part two presents a catalogue of 'Boggart Names' (place-names and personal names, totalling over 10,000 words). Finally, part three contains the entire 'Boggart Census' - a compendium of ground-breaking grassroots research. This census includes more than a thousand responses, totalling some 80,000 words, from older respondents in the north-west of England, to the question: 'What is a boggart?' The Boggart Sourcebook will be of interest to folklorists, historians and dialect scholars. It provides the three corpora on which the innovative monograph, The Boggart, is based.

Understanding medicines management is central to the nursing role. As a nurse, you will need to make informed decisions about medicine use and optimisation, tailored to each patient. This book equips you with the theoretical and practical foundation to do just that. It covers all key components of medicines management, using a scenario-based approach to illustrate how each topic relates to your practice. Key features * Fully mapped to the NMC standards of proficiency for registered nurses (2018) * Scenarios and activities help you to translate the theory into nursing practice * Acts as a stepping stone to support your readiness to undertake a prescribing qualification upon registration

Honourable mention for The American Folklore Society's Wayland D. Hand Prize for outstanding book combining historical and folkloristic methods and materials. Runner up for The Folklore Society's 2022 Katherine Briggs Award for most distinguished contribution to folklore studies. The little-studied and once much-feared boggart is a supernatural being from the north of England. Against the odds it survives today, both in place-names and in fantasy literature-not least the Harry Potter universe. This book pioneers two methods for collecting boggart folklore: first, the use of hundreds of thousands of words on the boggart from newly digitized ephemera; second, about 1,100 contemporary boggart memories from social media surveys and personal interviews relating to the interwar and postwar years. Combining this new data with an interdisciplinary approach involving dialectology, folklore, Victorian history, supernatural history, oral history, place-name studies and sociology, it is possible to reconstruct boggart beliefs, experiences and tales. The boggart was not, as we have been led to believe, a 'goblin'. Rather, 'boggart' was a much more general term encompassing all solitary supernatural beings, from killer mermaids to headless phantoms, from black dogs to shape-changing ghouls. The author shows how in the same period that such beliefs were dying out, folklorists continually misrepresented the boggart, and explores how the modern fantasy boggart was born of these misrepresentations. As well as offering a fresh reading of associated traditions, The Boggart demonstrates some of the ways in which recent advances in digitization can offer rich rewards.

From the Iron Age to the High Middle Ages, the ancient Celts were an engine of change for the whole of Europe. Here, Simon Young travels back in time to the moments when this ancient people defined indelibly the ancient, medieval and modern world. On this entertaining voyage, the reader will visit the hills of ancient Rome in the company of violent mohicaned warbands, pass into Dark-Age Christendom and witness Celtic monks' peculiar customs of curses and talking to animals. And move on to later medieval France, Germany and England where the ruthless vagabond-hero Arthur was to cast his spell over Britain's and Europe's aristocracy. While modern Celtic culture is an eighteenth-century invention, Simon Young shows that the real Celts turned upside down an area from the New World to Turkey and beyond. Leaving their mark on history, they were no less important than the Romans, Greeks and Etruscans.

In the last fifty years, folklorists have amassed an extraordinary corpus of contemporary legends including "the Choking Doberman," "the Eaten Ticket," and "the Vanishing Hitchhiker." But what about the urban legends of the past? These legends and tales have rarely been collected, and when they occasionally appear, they do so as ancestors or precursors of the urban legends of today, rather than as stories in their own right. In The Nail in the Skull and Other Victorian Urban Legends, Simon Young fills this gap for British folklore (and for the wider English-speaking world) of the 1800s. Young introduces seventy Victorian urban legends ranging from "Beetle Eyes" to the "Shoplifter's Dilemma" and from "Hands in the Muff" to "the Suicide Club." While a handful of these stories are already known, the vast majority have never been identified, and they have certainly never received scholarly treatment. Young begins the volume with a lengthy introduction assessing nineteenth-century media, emphasizing the importance of the written word to the perpetuation and preservation of these myths. He draws on numerous nineteenth-century books, periodicals, and ephemera, including digitized newspaper archives-particularly the British Newspaper Archive, an exciting new hunting ground for folklorists. The Nail in the Skull and Other Victorian Urban Legends will appeal to an academic audience as well as to anyone who is interested in urban legends.

YouTube experts s.media are shining a light on the changes to advertising and marketing, unveiling the truth behind outdated agency practices and revealing the top tricks to succeeding when it comes to advertising on today's advanced platform. This book gives a refreshingly honest account of the fast-changing advertising and media landscape. Taking a deep dive into why YouTube is THE best advertising platform right now, the book gives insights into how businesses and brands should be capitalising on the low-cost advertising opportunities available, with highly targeted YouTube ads right now.

Tony Judt decided to write Postwar in 1989, the year the collapse of the Soviet Union provided European history with a rare example of a clearly-signposted ‘end of an era’.

It's scarcely surprising, then, that the great virtue of Judt's book is the clarity and the breadth of its account of postwar Europe. His book coalesces around one central theme: the idea that the whole of the history of this period can be explained as an unravelling of the consequences of World War II. A bold claim, but Judt’s exceptional ability to create strong, well-structured, inclusive arguments allows him to pull it off convincingly.

Judt’s work is also a fine example of creative thinking, in that he excels in connecting things together in new and interesting ways. This virtue extends from his unusual ability to combine the best elements of the Anglo-American and the French historiographical traditions – the latter informing his strong interest in the importance of cultural history – to his unwillingness to allow himself to be constrained by historical category and ultimately to his linguistic abilities. Postwar is, above all, a triumph of integration, something that is only made possible by its author's flair for creating strong, persuasive arguments.

Professor Leif Hansen, a wealthy Danish botanist, builds a pioneer ecovillage for scientists to begin research into lichen that could one day produce oxygen on Mars for future space missions. NASA agrees to help with the project and finds a suitable location for his research in Namibia, South West Africa, where he and his fellow ecovillagers can research permaculture, eco-living, and getting back in touch with Mother Nature. Unknown to him a cabal founded by surviving Nazis are planning World War Three and some of their members plan to take it by force as a haven. As the nuclear holocaust threatens their existence, the villagers resort to extreme measures to defend their precious oasis in the desert that they have strived for years to build, while battling both local militia and mercenaries. But what if the green revolution isn't what we think it is?

Simone Young conducts the Hamburg Philharmonic and the Chorus of the Hamburg State Opera in this production of Aribert Reimann's opera based on Shakespeare's tragedy. Bo Skovhus leads the cast which includes Katja Pieweck, Hellen Kwon, Siobhan Stagg and Erwin Leder.

Simone Young conducts the Hamburg Philharmonic and the Chorus of the Hamburg State Opera in this production of Aribert Reimann's opera based on Shakespeare's tragedy. Bo Skovhus leads the cast which includes Katja Pieweck, Hellen Kwon, Siobhan Stagg and Erwin Leder.